If you've read something like this before and it's not quite the same I'm sorry. Stupidly I've just deleted the original and I'm now re-writing. Because the work isn't fresh in my mind I doubt it will be in such detail as the missing post.
I looked on the internet for information on printing with a vilene screen and came across this site:
http://www.maggi21handdyes.com/printing-vilene-interfacing-screen/#comment-887
This gave good, straightforward instructions for working with vilene so I decided to try it out.
(Thanks Maggie for your interest and encouragement)
I've become interested in the work of Soraya French (2013) who has written articles on Colour Triads in "The Artist". As a result I decided to use the red, yellow, blue triad and see what happened.
I'm pleased with this.
Next I tried the same method but made cut outs and painted acrylic paint on the vilene.
Reluctant to put my gash paint down the sink I slopped it onto another piece of calico and hey presto
My serendipity cloth |
Areas of interest can take you near and far
The safety of my garden |
Down in the jungle where nobody goes |
Space - the final frontier |
Sorry if this is less than before but that's the gist of it.
French Soraya, 2013, The Artist. Jan, Feb, Mar, Apr, May Journal
http://www.maggi21handdyes.com/printing-vilene-interfacing-screen/#comment-887
http://www.youtube.com/watch?v=bOv6-Mlv0Ls
Great results and thank you for the link to my blog. I suspect that the reason the screen took so long to get wet was because you were using paints rather than dyes. I'm glad that you took the pads from the screen as it needs to be ver flat in contact with the fabric to work well.
ReplyDelete